The 2015 showreel was primarily shot digitally with a film section in the middle. It contains some of the raw material used in The Fountain, Tree of Life and recent commercials. Click to view.

The Fluid Perspectives showreel from 2009 contains material principally shot on film, including IMAX 15/70, 8/70, and 35mm, with music by Ian Sanderson. Click to view.

Chris had worked with Darren Aronofsky on The Fountain and with director Nic Stacey over 10 years ago. At the time they talked about doing something more ambitious. That was realised for One Strange Rock, the landmark documentary series created by National Geographic and Nutopia. Chris designed imagery for three of the directors and the results appeared throughout the series.

The director, Justin Kurzel, brought in Chris to create a design for the idea of memory and past experiences. Chris drew on the double helix idea of DNA where, so the story goes, particularly violent memories are stored and from there passed down through the generations. Chris developed variations on this visual style which Justin then used in The Animus as a signature for time travel as well as a visual representation of memory itself. Click to view the film's trailer.

In the 1980's, when Terrence was in the early stages of planning his epic film, he approached Peter Parks to shoot some marine imagery. 30 years later once principal photography was under way he got in contact with Chris to shoot some abstract imagery for the 'Life before birth' and 'Universe before the big bang' sequences. Click to view some of the shots from the film.

Chris and Peter Parks were commissioned by director Darren Aronofsky to produce their special brand of organic fluid effects. In order to make his vision of space timeless, Aronofsky steered clear of traditional computer graphics and instead shot with Chris and Peter over a period of 8 weeks to produce something that was unique and would not age. Click to view a sequence from the film's finale.

When Terrence Malick returned to some of the themes in The Tree of Life again used Chris and Peter's imagery. The film examines the origins of the universe, the birth of stars and galaxies and the beginning of life on Earth and the Chris Parks Art photography is used to support all of these subjects. Click to view the film's trailer.

Feel Light Transformed is a campaign created for leading blinds company Hunter Douglas. The miracle of light and how it travels is brought to life in this story. A journey from the birth of a star to a place on earth that has complete control of this light. Light is visualised in this film using Chris's visuals combined with VFX and CGI blended seamlessly to bring to life this epic and engaging journey.

For Moët et Chandon and their 'Must Be Moet' worldwide campaign, Chris was again asked to create visuals to suggest something abstract - in this case it was 'the memorable moment', those instances in your life when everything comes together into something unforgettable. Directed by the amazing Manu Cosu the results are truly stunning

As part of the launch of the iPhone 7, Apple created a film highlighting some of its key functions. Chris collaborated with Henry Hobson to create unique imagery that matched the key messages which included stereo sound, unique black finish and low light camera ability. It was the first time that Chris had worked purely in black and white. Click to view the commercial.

When Sam Pilling and Pulse decided to project images of the Aurora Borealis onto the Rolls Royce Phantom, they came to Chris to create the imagery. Using a combination of modern day glassware and some 200 year old lenses, Chris and the team were able to achieve miniature Auroras in no more than a cup of fluid.

Director Laetitia Negre and DoP Matthew Smith approached Chris to work with them on this primeval meets post apocalyptic piece for Vogue titled 'Ode to a Happening on Earth'. The film was shot on film and the fluids segments were scanned from 35mm print stock to match the feel. Click to view the film.

Following on from their collaboration on the acclaimed Paolo Nutini music video for Iron Sky, Daniel called on Chris for his Hennessy commercial. The spot tells how in 1931 Auguste Piccard became the first explorer to reach the stratosphere. In 1960, his son Jacques became the first man to reach the deepest point of the ocean. Click to view the commercial.

Johnny and Chris had worked together previously when Chris had supervised the 3D on a Sony commercial that Johnny was directing. This time he was brought on board to create in camera elements for a commercial following a photon’s eye view from the centre of the sun to earth. Chris and his team created new techniques specifically for the spot. Click to view the commercial.

The first time that Chris and Daniel collaborated was on a short film for Paolo Nutini's 'Iron Sky', a dystopian vision of the future as imagined by a child in the 80s. Click to view the short film.